Phonographica Ad Nauseum
I haven't posted anything about Victrolas for a while, so I'm rectifying that.
The main motivation behind this post is that whoever is the author of victor-victrola.com (a most excellant site) has added a photograph of the Victrola 8-35. This is actually the model I would have if we lived in an ideal world. However, this model was in production for only about a year in 1928, and only about 10,400 were built. Whereas the model I got, the 4-40, they built over 100,000 of those. More common, therefore, less expensive.
The 8-35 was intended to be the successor of the former "flagship" Victrola model, the Credenza, or 8-30, which was made from 1925 til 1928. The 8-30 is big and heavy. It would overpower the living room in my small apartment. The 8-35 is lower because by that time Victor was self-conscious that they were not building an electronic phonograph. They thought if the turntable were waist-high instead of chest-high it would seem more like an electric phonograph.
So I've been writing about Victrolas with model numbers that start with an "8." My Victrola's model number starts with a "4." These were the two series of Orthophonic Victrola models. The "4" and the "8" designate the size of the horn. Bigger horn, bigger cabinet. I thought, because of issues of size and weight, I should look for something in the "4" series. Everything I'd read said they sounded just as good, just not quite as loud (and mine is plenty loud enough). Of all the models in the "4" series, the 4-3, the 4-7, the 4-20, and the 4-40, I thought the 4-40 was the best.